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Tombstone, Arizona Before the Tourists

Tombstone, Arizona Before the Tourists

Tombstone, Arizona is forever embedded in American Old West lore for its status as an outpost for scoundrels and heroes, and as the site of the infamous 1881 gunfight at the OK Corral (the actual gunfight happened near the OK Corral, not in it, but we’ll leave that subject for others to cover in-depth) in which the Earp brothers gunned down Tom and Frank McLaury (McLowrey) and Billy Clanton.

Before the gunfight, however, Tombstone was a town like many others in the southwest–a mining town that boomed with the discovery of silver, and withered as the boom went bust.

Tombstone, Arizona
Photo by Frederick D. Nichols, 1937.

At one time, Tombstone reportedly had more than 10,000 residents, but in 1881 a series of unfortunate events started the ball rolling on the decline of Tombstone. In March, the Sulphuret Silver Mine struck water, which began to seep into the mine. On June 22nd, a fire destroyed the eastern half of the business district, 66 businesses in total. The following year, a second mine struck water, seriously complicating mining efforts, and another more serious fire devastated Tombstone, destroying nearly the entire business district. The city lacked the water to properly fight the fire, so, in keeping with the philosophy of the day, buildings in the path of the fire were demolished with dynamite to deny fuel for the fire.

Rebuilding commenced immediately, but in 1886, another fire impacted the silver mining industry, and by 1890, the US Census reported the population of Tombstone at 1,900. Ten years later it had fallen to 700. People were leaving in droves.

Tombstone received another blow in 1931 when it was stripped of its status as county seat and the county offices moved to Bisbee. Just a few years later, these photos were taken by photographers on behalf of the United States Farm Security Administration and the Historic American Buildings Survey.

Tombstone, Arizona
Photo by Dorothea Lange, 1937.

These photos, taken between 1937 and 1940, represent a unique moment in time for Tombstone–after the pioneer-era silver boom but before the air-conditioned car culture that would bring tourists en masse.

Tombstone, Arizona
Photo by Frederick D. Nichols, 1937

The Crystal Palace Saloon had a tumultuous history due to the Tombstone fires, and later, prohibition. It was sold in 1963 to a buyer with an interest in restoring it to its former glory, and it underwent a restoration that left it looking very different.

Tombstone, Arizona
Photo by Frederick D. Nichols, 1937

The bank, on the corner of 3rd and Allen, is an adobe brick structure covered in stucco, with wood trim and floors.

Tombstone, Arizona
Photo by Frederick D. Nichols, 1937

The posters taped in the window advertise a circus in nearby Douglas, Arizona. “Al. G. Barnes and Sells-Floto Circus, Douglas, Afternoon and Night, Tuesday, November 9.”

Tombstone, Arizona
Photo by Frederick D. Nichols, 1937



Tombstone, Arizona
Photo by Frederick D. Nichols, 1937

The Bird Cage was opened as a Variety Theatre and Saloon in 1881, and escaped the fire of 1882. At the height of Tombstone’s popularity, the bar in the front portion of the theatre was open 24-hours. The theatre was lit by natural gas, and the gas fixtures were still in place at the time of these photos. The Bird Cage was closed for a time after the boom, but reopened to the public in 1929. According to Miguel Slack, who collected the data for the Historic American Buildings Survey, this place was a museum and cafe at the time these photos were taken in 1937.

Tombstone, Arizona
Photo by Frederick D. Nichols, 1937

The sign on the right says “Oldest Theatre in the Southwest.”

Tombstone, Arizona
Photo by Frederick D. Nichols, 1937

Tombstone’s Episcopal Church, made of adobe brick, looking west from Third & Safford Streets.

Tombstone, Arizona
Photo by Frederick D. Nichols, 1937

Above: Tombstone City Hall

Tombstone, Arizona
Photo by Frederick D. Nichols, 1937

The Cochise County Courthouse was built in 1882. It became a hotel for a time, and also stood vacant for a few years after the county seat moved to Bisbee, but today it is a museum.

Tombstone, Arizona
Photo by Frederick D. Nichols, 1937

The spiral fire escape of the former Cochise County Courthouse.

Tombstone, Arizona
Photo by Frederick D. Nichols, 1937

The former Tombstone Fire Department was described by the photographer as “abandoned” at the time of these photos.

Tombstone, Arizona
Photo by Frederick D. Nichols, 1937

In 1961, Tombstone received a designation as a National Historic Landmark District, but in 2004, the National Park Service declared the designation threatened due to “inappropriate” alterations. Some of the infractions included putting “historic” dates on new buildings, failing to distinguish new construction from historic structures, and more. Although these judgments have been controversial, many of Tombstone’s historic buildings have been appropriately restored with due respect to heritage.

Tombstone, Arizona
Photo by Dorothea Lange, 1937

The sleepy days depicted in these photographs would not last. With the coming of the highway system and air-conditioned cars, people would flock to Tombstone. Today, there are a number of festivals in Tombstone, including Wyatt Earp Days, Salute to the Buffalo Soldier Days, and Helldorado Days, and more than 450,000 tourists visit this tiny town of 1,400 every year.

Tombstone, Arizona
Photo by Dorothea Lange, 1937

Boothill Graveyard in Tombstone is the best known of a number of cemeteries dubbed “Boothill” in the southwest, so-named for the gunfighters and outlaws who so commonly died with their boots on.

Tombstone, Arizona
Photo by Russell Lee, 1940
Tombstone, Arizona
Photo by Russell Lee, 1940
Tombstone, Arizona
Photo by Russell Lee, 1940
Tombstone, Arizona
Photo by Russell Lee, 1940

Tombstone, Arizona

A panorama of Tombstone taken in 1909 by the West Coast Art Company. Click to enlarge.

Original content copyright © 2016 Sonic Tremor Media

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Abandoned Pineview Drive-In Theater

Abandoned Pineview Drive-In Theater

Since the advent of home video and the multiplex, the drive-in theater has been on the decline. Now, the transition to digital projection is threatening to end the drive-in for good, as more of the few remaining theaters are closing every year. This is the former Pineview Drive-In in Long Pine, Nebraska, where many magical memories were made. This site is just off Highway 20/7, on the county line between Rock and Brown Counties.

Pineview Drive-In Theater

We arrived to find the owner has thoroughly fenced the entire site and posted the property, so we respected the owner’s wishes and took our photos from outside the fence.

Pineview Drive-In Theater

Pineview opened in 1954 as an independently operated drive-in theater.

Pineview Drive-In Theater



Pineview Drive-In Theater

On busy nights, cashiers worked both sides of the booth.  Before the carload pricing model, your friends had to hide in the trunk until you were past this booth, lest you have to pay for every individual in the car.

Pineview Drive-In Theater

Pineview Drive-In Theater

Pineview Drive-In Theater

Pineview Drive-In Theater

The playground was always a great place to meet other kids who went to different schools. Plenty of school days romances began here under the pink and orange hues of the Nebraska sky at dusk.

Pineview Drive-In Theater

There are others who have photographed this place at various points in the recent past.  You can see those galleries here and here.

Pineview Drive-In Theater

I’ve seen a few drive-ins in my day, but I’ve never seen one that was constructed entirely from a timber framework like this.

Pineview Drive-In Theater

We photographed the remains of another drive-in, Stardust 17 in North Dakota a few years ago.

Pineview Drive-In Theater

The gravel road on the left (above) marks the county line between Rock and Brown Counties.

Below: This is where the railroad behind the drive-in used to be.  It’s now a recreation route called the old Cowboy Trail.

Pineview Drive-In Theater

Photos by Troy Larson and Terry Hinnenkamp, copyright © 2017 Sonic Tremor Media
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